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Reviews
Editorial Reviews
Amazon.com
This third installment in Philip Zaleski's The Best Spiritual Writing
series continues to live up to its admirers' expectations. What makes spiritual
writing stand up and deliver is not exotic epiphanies in reclusive settings
or the recounting of ecstatic communions. The real litmus test is how the
narrator can take a flesh-and-bones life story and craft it into something
that has spiritual meaning for the collective. "For myself I trust the
path through the daily muck much more than the route that goes around it
or above it or passes through it like an angel gliding transparently through
a solid door," explains Thomas Moore in his Introduction (which, incidentally,
warrants inclusion in The Best Spiritual Writing award in and of
itself). Year after year, this series becomes more solid and trustworthy--like
a spiritual teacher who always has something age-old to offer in contemporary
language. Ann Hood goes in "Search of Miracles" to heal her father of cancer
and discovers the true meaning of miracles. In sparse, clean writing Natalie
Goldberg tells the story of traveling to Japan to pay homage to her deceased
Zen teacher. Jacques Lusseyran speaks from a blind man's perspective, helping
us to see the light within instead of always relying on the light beyond.
Other contributors include Linda Hogan, John Updike, Annie Dillard, Bill
McKibben, and Mary Gordon. --Gail Hudson
Book Description
With a newly designed cover and an introduction by bestselling author
Thomas Moore, this fresh collection delights and inspires readers by bringing
great new writers to the fore, and featuring them alongside highly distinguished
authors. A unique and richly diverse mix of religious traditions and spiritual
topics, this edition offers every reader new perspectives on age-old questions
that emerge within our day-to-day lives, and is sure to appeal to both
literary and spiritual readers. Contributors include Annie Dillard, Pico
Iyer, Mary Gordon, William Gass, Gretel Ehrlich, John Updike, and more. |