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His name comes up in mentions of Zen's misty past, but without any
writings or authentication, modern authors have often referred to Bodhidharma
as semilegendary. In 1935, D.T. Suzuki had rummaged through a number of
newly discovered Zen texts dating back over a thousand years, but not until
recently did scholars agree that some may contain the words of Bodhidharma
himself. Now Jeffrey Broughton has brushed off the dust for the English
reading world. In question-and-answer style anticipating later Zen classics
like the Lin-Chi Lu (Zen
Teachings of Master Lin-Chi), Bodhidharma fields questions from
his students on dharma, the mind, and reality. Vintage Zen iconoclasm permeates
every line as dharmas are dispensed with and scriptures shot down. A rock
painted with a Buddhist image is still just a rock. Just so, reality is
just reality. A previously unknown student of Bodhidharma, one Master Yuan,
shows himself to be a worthy adept, equal to the more well-known Hui-kuo,
who also appears. The actual Bodhidharma texts are quite brief, with the
bulk of this work consisting of Broughton's scholarly introduction, commentary,
appendices, and translations of related finds. --Brian Bruya
Book Description
In the early part of this century, the discovery of a walled-up cave
in northwest China led to the retrieval of a lost early Ch'an (Zen) literature
of the T'ang dynasty (618-907). One of the recovered Zen texts was a seven-piece
collection, the Bodhidharma Anthology. Of the numerous texts attributed
to Bodhidharma, this anthology is the only one generally believed to contain
authentic Bodhidharma material. Jeffrey L. Broughton provides a reliable
annotated translation of the Bodhidharma Anthology along with a detailed
study of its nature, content, and background. His work is especially important
for its rendering of the three Records, which contain some of the earliest
Zen dialogues and constitute the real beginnings of Zen literature. The
vivid dialogues and sayings of Master Yuan, a long-forgotten member of
the Bodhidharma circle, are the hallmark of the Records. Master Yuan consistently
criticizes reliance on the Dharma, on teachers, on meditative practice,
and on scripture, all of which lead to self-deception and confusion, he
says. According to Master Yuan, if one has spirit and does not seek anything,
including the teachings of Buddhism, then one will attain the quietude
of liberation. The boldness in Yuan's utterances prefigures much of the
full-blown Zen tradition we recognize today. Broughton utilizes a Tibetan
translation of the Bodhidharma Anthology as an informative gloss on the
Chinese original. Placing the anthology within the context of the Tun-huang
Zen manuscripts as a whole, he proposes a new approach to the study of
Zen, one that concentrates on literary history, a genealogy of texts rather
than the usual genealogy of masters.
About the Author
Jeffrey L. Broughton is Professor of Religious Studies at California
State University, Long Beach. |